Monday I raced, in really horrible weather, up to Hogle Zoo in order to retrieve my two paintings from their gallery show and I had a little surprise when I arrived. Over this past weekend one of my paintings sold!
I didn't think of getting the person's information until after I left. I will have to call about it. I would love to send them a thank you note, but for now thank you secret patron. I love you. (Also sorry about the crappy frame, the whole thing was a little rushed.)
Also, I haven't been painting for a while. Mostly because for the past two months I have been glued to my couch in a never-ending surge of pain, nausea, and sickness. The reason? This very, very little one:
You can see its little hand and scary Darth Vader smile. Other than that it is just a little blob, but it's my little blob and that is exciting to me.
This week I am officially 13 weeks and out of the first trimester! I am so happy about this, as the past few days I have been feeling wonderful. For example, yesterday I opened the fridge, ate a grape, and didn't instantly regret it. Progress!
Good bye, diet of cheese sticks and eggo waffles!
Some additional progress is that my paints have stopped smelling so badly to me that it makes me want to throw up. However, over the past six weeks of feeling so sick and so depressed (my couch also now has some serious depressions), I really started feeling down about painting. I have always felt like there is something lacking about them, like there needs to be more, but this self-loathing pity party got so bad that I was ready to completely give up. The purchase of my pronghorn was just the boost that I needed.
Now I am ready to hit the ground running, finish up the owl and goldfish, and keep going.
I have a new website, head over to katherinegriffinstudio.com for more posts!
Thursday, March 17, 2016
Monday, March 14, 2016
The Art Institute of Chicago Recreates Van Gogh’s Famous Bedroom in More Ways than One
JULES ANTOINE (1863-1948) ATTR. – Vincent Van Gogh in conversation with friends, Paris, 96 rue Blanche, December 1887 Melanotype, direct positive and reversed image on blackboard (carton photographique), 86×112 mm, “Gautier Martin” stamp, recto. Vincent Van Gogh in conversation with Paul Gauguin, Emile Bernard, Félix Jobbé-Duval. André Antoine is standing between them.
Today Vincent Van Gogh's painting are so prolifically reproduced that he heavily falls into the happiest of kitch categories. I say happily because yes I do love my Van Gogh mug and no I don't feel like it lessens his works. Beyond just being on my mug, Van Gogh has also been making headlines with the possible above photo of him, a new Art Institute of Chicago exhibition, and an animated film made entirely of oil paintings.
The Art Institute of Chicago is a really great place. If you ever find yourself wondering around the Windy City, skip the American Doll store and stroll on over. For this new exhibition they have recreated Van Gogh's Room, brought all three of his bedroom paintings together in one locale, and done some really great restoration work.
One of the interesting things that the Art Institute discovered is that Van Gogh's rooms were not originally painted blue. Below is the full story from Sci Friday's March 4th show. The images below the story are the images they reference throughout the segment.
Left = currant painting Right = digital restoration
Blue Paint Fragment Backside Purple Paint Fragment
Friday, March 4, 2016
Vantablack: Can an Artist really own a Color?
According to articles by The Guardian and Quartz magazine, yes an artist can.
Vantablack is the "new black" as of 2014. It is considered to be the blackest black, as it reportedly absorbs 99.96% of all light that hits it. In fact, the science behind Vantablack was originally created by a team of NASA engineers who developed a "blacker-than pitch material to help scientists gather hard-to-obtain scientific measurements" and "observe currently unseen astronomical objects, like Earth-sized planets in orbit around other stars." The black was further developed and named by the British company NanoSystems to make stealth satellites stealthier, as it is like looking into a black hole. And now the artist Anish Kapoor (you know, the guy who made the giant, reflective bean in Chicago) has all painting rights to it. As you can imagine, this has gotten a few people up in arms. According to the Guardian:
This new black isn't exactly a paint, however. According to Quartz:
To read more about Black pigments or just pigments in general, check out my main Tips and Techniques page.
Vantablack is the "new black" as of 2014. It is considered to be the blackest black, as it reportedly absorbs 99.96% of all light that hits it. In fact, the science behind Vantablack was originally created by a team of NASA engineers who developed a "blacker-than pitch material to help scientists gather hard-to-obtain scientific measurements" and "observe currently unseen astronomical objects, like Earth-sized planets in orbit around other stars." The black was further developed and named by the British company NanoSystems to make stealth satellites stealthier, as it is like looking into a black hole. And now the artist Anish Kapoor (you know, the guy who made the giant, reflective bean in Chicago) has all painting rights to it. As you can imagine, this has gotten a few people up in arms. According to the Guardian:
Painters are outraged that Anish Kapoor, the British sculptor who designed the blood-red Orbit tower for the London Olympics, has exclusive rights to the artistic use of this revolutionary new colour. NanoSystems has confirmed that he alone can paint [with] Vantablack.
This new black isn't exactly a paint, however. According to Quartz:
The thing to remember is that the coveted super-black substance is actually not paint but very tiny tubes composed of carbon, explains former NASA optical physicist John Hagopian, who now runs a startup developing carbon nanotechnology for engineering purposes. The super black is actually “grown” in the lab, the matte black effect coming from seeing a dense patch of these tiny carbon nanotubes which absorbs nearly all light.I personally am not super disappointed by the fact that I will never be able to get my hands on a black almost as black as a black hole. I mean... it would be cool, but using it seems a little too difficult for my tastes. Again according to Quartz:
For artists itching to use the scarce super-black substance, Hagopian cautions that applying the material is not as easy as picking up a can of paint. The process involves a gas mask and a special enclosure for the “complex chemical vapor deposition,” and inhaling the fine carbon-based material can be as hazardous as inhaling asbestos.All-in-all, a black this black is pretty cool. Here is a video by NASA explaining how the black is grown (also, at the end of the video it says that they are getting ready to put this into space, but that actually just happened. Since the production of the video in 2013, the paint has been sent and used at the International Space Station):
To read more about Black pigments or just pigments in general, check out my main Tips and Techniques page.
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