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Saturday, November 22, 2014

Daily Painting 3 and 4: Red Eyed Tree Frog

This week I painted an orchid for a couple of hours, however it was after I worked on the flower that I decided that I needed make a couple of changes to this daily painting idea: 1. Not worry if I finish something in a day, 2. Push myself and really experiment with these small paintings.

I ended up not liking the orchid and wiped it off. I then started to paint a red-eyed tree frog on top of it: 


Experiment: a flat image and background next to a (hopefully) highly detailed image. In this case I want to push myself with the detail of the frog. When painting, it is usually easier to paint your shadows darker than needed and then pull them back. I am going to try to do this with the highlights as well, something I have never done before. My thought is to let the paint dry a little and then lightly glaze back over the strong white. We shall see. 



Daily Painting 2: Erasmia Pulchera Day Flying Moth

Daily Painting 2:

Not finished, it was a little too ambitious for a couple of hours. I think now that I have decided to not finish these in just a day, I may finish this one later...or maybe not.


Maybe I shouldn't have taken this photo without the light on...(shrug)


Daily Painting 1: Argema Mittrei-Resting

Daily Painting 1, completed in a little over two hours:




Daily Painting and a lot of me thinking out loud

I happened upon a book the other day, called Daily Painting. I am considering purchasing it. I even gave it a test drive over at good ol' Barnes and Noble. I liked some of the things that were inside of it, in fact, it was probably one of the best books on oil painting I have looked at. However, even that being said, art books are generally just frustrating. Sure sometimes they will have images of the steps along the way, and some times they will even have more than three images illustrating the steps (that is rare, usually it is only three), but as helpful as showing the steps are... I have never happened upon a book which clearly explains the mechanics of what the artist is doing. I am not sure if this is because in the end, and this is most likely too harsh of a blanket judgement, it seems that a lot of artists actually lack a clear working knowledge of different terminology and techniques used throughout history, not to mention a lack of general art historical knowledge, or if it is something else. Perhaps this is why an oil painting textbook does not exist? Nope, never mind I know why one does not exist.

People publish these books hoping that a general hobbyist will pick them up, not a hardcore, I make a lot of money painter. Hardcore, I make a lot of money painters keep their secrets to themselves, and if you want those secrets you have to pay a handsome price. Workshops, videos, etc, but not just one workshop or video, you have to purchase several and even then you will not get it all.

I know that I am not an amazing painter who should be lecturing on painting techniques, but I do know some things. Things that I have spent hours searching out and if I could have just found one website to read about it all, that would have been awesome. I think that I really will do this: Art Tips and Techniques. Yep.

Maybe one day I will write my ideal art textbook (shaking head no). But back to the book Daily Painting. One thing that the book does talk about quite a bit, as you can guess from the title, is daily painting. Not daily painting in the sense of making sure that you are painting everyday, albeit important, but finishing a painting a day.

The idea is too keep the paintings small, the subject manageable, and the paintings to be finished in a one to two hours time period. Keeping them small means that you should be able to finish the works in a day, and the idea is that they will help you take more risks. It is much easier to give up on an idea when you have only spent a small amount of time on it, on a very small work, verses when you have dedicated a huger painting to trying out an idea and it fails.

The daily painting idea, as she uses it, would have been perfect for me if I was still painting in a looser fashion. Such as here:


But even in this painting I was starting to move away from a more quickly painted style. At first I thought this daily painting thing would be a super good idea. I jumped right in, and Day 1 went great. Day 2 not so great, Day 3 I picked too complex of a subject, and by Day 4 I thought, "I don't think this is what I want to do this these daily paintings." Right now, I want to be able to go super detailed when I want to and then to back away and be loose when I feel it is needed. 

So I am going to take the author's idea of a daily painting, and change it a little bit for my own purposes: going small (6x6 is the largest), making sure I am experimenting in each, and painting them for two hours a day and then putting them away. This means some will take longer than others, but I think that I am okay with this. I think that I like where I will be going with them. 

Hopefully good things will come of it. 


Gray Kitten: Part 2

Making a little bit more progress:


Wednesday, November 19, 2014

Mr. T: Part 2

Drawing transfered and board just about ready to get the painting a started:


The FINGERS!

My grandmother is Italian, and about seven years ago my whole family went to Italy. One thing that my grandma desperately wanted to see was "the fingers." She wanted to see the fingers of God and Adam in The Creation on the ceiling of the Sistine Chapel. I am not sure what she thought she was going to see, as in I am not sure if she knew it was on a ceiling... Anyways, I pushed her up in her wheel chair and put her directly under the fingers. I told her where they were and then walked off to see what I wanted to see. I came back, got her and we left. Just as we exited, and could not reenter the chapel, she asked me when she would get to see the fingers. I almost died.

Anyways, now it has turned into a running gag. THE FINGERS!

She asked me to paint said fingers for her. I told her that I would, but that she would have to pay for it. I have a new rule: if someone asks me to paint something for them, I charge; but if I choose to paint something for someone, obviously that is free. I have painted far too many "free paintings." "Free Paintings" because it is not free for me. You know?

Back to the fingers, I had to order a special board for them, which arrived today and I finished the drawing for them today as well: